Paul Verhoeven, the audacious satirist known for films like “Showgirls” and “Basic Instinct,” returns with his latest work, “Benedetta.” Based on Judith C. Brown’s book, the film delves into the scandalous life of a lesbian nun in 17th-century Tuscany, presenting a thought-provoking and sensational exploration of religious taboos, power dynamics, and female desire.
A Historical Tale with a Twist
“Benedetta” follows the story of Benedetta (Virginie Efira), a devout young woman sent to a Catholic convent in Tuscany. Her days are spent in piety and quietness until she forms an unlikely romance with a new recruit, Bartolomea (Daphne Patakia). As their relationship deepens, Benedetta claims to have visions of Jesus himself, who declares her as his chosen bride. The film navigates the complexities of forbidden desire in a world that denies it, adding layers of satire and intrigue to the historical backdrop.
Verhoeven’s Unapologetic Provocation
Known for pushing boundaries and challenging norms, Verhoeven brings his trademark irreverence to “Benedetta.” The film is a daring reckoning of religion, sexual expression, and power dynamics. It takes delight in presenting sacrilegious imagery and moments of absurdity, while still maintaining emotional performances that keep it grounded. Virginie Efira and Daphne Patakia deliver humane and nuanced portrayals of their characters, while Charlotte Rampling shines as the skeptical Abbess who eyes their relationship with suspicion.
A Return to Verhoeven’s Signature Style
After the more understated “Elle,” “Benedetta” sees Verhoeven revisiting the provocative and erotic themes that made films like “Basic Instinct” notorious. The filmmaking is blunt and bold, harkening back to Verhoeven’s earlier works. Anne Dudley’s sweeping score adds to the film’s audacious tone, while the CGI effects, though at times cheesy, complement the overall B-movie exploitation style.
Controversy and Admiration
“Benedetta” is not a film for everyone, and its bold and audacious approach may offend some viewers. However, for Verhoeven’s admirers, it represents a triumphant return to form. It’s a feminist allegory that challenges patriarchal systems through themes of faith, love, and rebellion. The film’s unapologetic stance and the courage in addressing sensitive topics make it a remarkable and memorable viewing experience.
Conclusion: A Riotous and Thought-Provoking Satire
In “Benedetta,” Paul Verhoeven delivers a funny, filthy, and iconoclastic riot that will undoubtedly spark discussions and divided opinions. It’s a film that defies convention, diving headfirst into historical controversies and societal taboos. For those willing to embrace its audacity, “Benedetta” offers a sensational and unforgettable cinematic journey, proving that Verhoeven’s ability to provoke and entertain is as sharp as ever.
